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MEAT KATIE CONCERT :
Give me a breaks
- - - " Give me a breaks " - - - / 2nd July 2005 / Impact Arena, Muangthongtani + + +

Jazzbah records, Bangkok finest records shop proudly to present the first ever Breakbeat party in Bangkok, DJ Meat Katie from Kingsize Records and Lot49. Meat Katie is one the top five best sellers of Jazzbah breaks charts which is an acceptable and well-known for Thai followers.

Objective : To promote and build up to Breakbeat scene in Thailand

Event Details

Event name : “Give me a breaks”
Date : Saturday 2 July 2005
Venue : Club Astra, RCA block C, Bangkok
Capacity : 1,000+
Ticker : 250 Baht (1 drink)
Event format : Performance show by Guest DJ and Sponsors booth according to demand.



DJ Line up

Meat Katie (UK) - Kingsize Records, Lot49
DJ Nor (Spoon) - Click radio, Spoon
DJ Plaz - Café De Moc
DJ Coww (Sound elements)

Brakebeat music origin

Breakbeat was an underground music which had originally come in from the USA in the late 1970s. Frankie Bones , at his early DJ-ing stage had created breakbeat irregular music, whereby he had overlapped two same records on turn-table decks at slightly different speeds and slightly delayed. This would create asynchronous beat, which would drive the crowd crazy. His track named "Bones Breaks" was a pioneer if not discovererof breakbeat which has remained strictly underground since. In the late 80s, house scene erupted in UK, especially in London. As house scene had progressed, the ecstasy rave culture had emerged from the youth, suppressing the football hooliganism. House from one side and breakbeat from the other side had created a combination, which later led to production of what was called jungle and what is now called drum & bass.
Before the breakbeat there was the break. This term that originates in jazz describes those passages in musical compositions in which all other instruments are dampened so that the beat alone can work its magic. Consequently, the term "break" should be construed in its original meaning as an intermission in which the drum solo alone ruled the stage. Breaks in the late 1960's and early 1970's were a staple of Funk, and "King of Funk" James Brown's drummers Jabo Starks and Clyde Stubblefield weren't the last to user their drum solos to demonstrate what beats were capable of. This sets the time frame for the first emergence of Breakbeat, and now really only two things are missing from the show: The stage and the actors.
The stage for this spectacle was provided in the early 70's by the Bronx, the notorious New York City neighborhood which to this day puts a sparkle in the eye of those in the know. The main characters involved are quickly determined as well: The breakers, breakdancers or simply B-boys, and a young Herculean black man of Jamaican descent named Clive Campbell, today known better as the man who invented Hip Hop, the legendary DJ Kool Herc.
Like many cutting-edge discoveries in the early history of music, Breakbeat was born on a sweaty dance floor, the one of the dance club Fever. Let's go back to that night in 1974, in the West Bronx, to the dance floor at Fever. Kool Herc is behind the decks, the place is packed and people are getting down to dance, or rather, to Hustle.
The Hustle was the popular dance of the fading Disco era and Herc chose his records accordingly: Late Funk and Disco. But not all club-goers participated in the activities on the dance floor. A few trainspotters, disaffected by their surroundings, were always waiting quietly for their moment to shine: The break. The energetic rhythmic sections were the fuel for their performance, the breakdancing show. Breaking or breakdancing allowed these boys to draw attention to themselves, to be the stars of the evening for a short moment while surrounded by Hustle dancers, and their artistic performances regularly pushed the dynamics on the dance floor to a climax in which the energy exploded. This would not go unnoticed by an attentive DJ like Kool Herc, and that legendary night he tried an experiment. Driven by the intention to extend the part the breakdancers required for their show, he had thought about how to achieve this and that night in 1974, with the help of two turntables and one mixer, he mixed the rhythm sections of different tracks seamlessly one after the other for the first time. The audience flipped, the breakdancers freaked, and the dance floor exploded.
This was the making of a recipe for success, a whole new style of music: The Breakbeat, the root of Hip Hop, Drum & Bass and the genre still known as Breakbeat today. Kool Herc's example was quickly adopted and inspired numerous DJ to imitate him and to shape and form this new kind of music. Even if Herc's mixing style may seem primitive to the contemporary eye - after all, he wasn't doing anything close to beatmatching yet - he nevertheless has every right to the title Originator. Twenty years later the Chemical Brothers invited the long since retired Kool Herc to London to be a guest DJ and open for their shows, and in doing so paid respect to the man who laid the foundation for their own music: The inventor of Breakbeat.

Meat Katie's Biography


Mark Pember aka Meat Katie has long been a fixture on the breakbeat scene as bith a DJ and producer, in the last few years his unique brand of tech-funk that takes influence from tech and tribal house, techno and electro, but with his trademark breakbeat feel, has really kicked off, with both house and breaks djs sighting him as one of the most consistent playes out there. His genre defying sound is also reflected in his DJ sets, which have seen him supporting the likes of the Chemical brothers, Asian Dub Foundation, Death in Vegas, Ken Ishii and the Dubpistols, to name but a few. He has toured Australia with The Boutique and Gatecrasher, done a number of US.Canadian tours and played everywhere from Argentina to Hungary to Scotland.
Forthcoming shows include the Two Tribes tours (Australia) with Layo and Bushwaka, Hong Kong with Basement Jaxx and shine (Belfast) with Lottie and Umek.
On the recording front Mark is signed to Kingsize Records where he is currently working on his new (3 rd ) artist album. On top of this he has embarked on a collaborative 12” series for the Kingsize label with guest so far including Elite Force (No.1) and Lee Coombs (No.2). Both releases so far have been getting Radio 1 airplay from Pete tong and future singles are under discussion with some high profile guests! Mark continues with collaborative release for a number of other quality labels including TCR (“JuJu” with Elite Force) and Bedrock (“I Feel it” with Dark Globe If that was not enough, the self confessed workaholic runs his own label Whole 9 Yards which boasts an impressive roster of such talent as Dylan Rhymes, Sons of Slough, Elite Force, Rhythm Division, Dark Globe along with past and future contributions from the likes of Rennie Pilgrem, Boy George, DJ Hyper, Koma and Bones, Blim, Phil Kieran, Mashup, Cass and Slide.
 

TICKET INFORMATION
Venue Club Astra
Location RCA block C, Bangkok
Show Date Saturday 2nd July 2005
Door Open 7.00 P.M.
Show Start 8.00 P.M.
Public Sale
on website : www.thaiticketmaster.com
From Wednesday 15th June 2005 to
Saturday 2nd July 2005
  at Thaiticketmaster.com outlets
From Wednesday 15th June 2005 to
Saturday 2nd July 2005
  thru TTM Call Center +66 (0) 2262 3456
From Wednesday 15th June 2005 to
Saturday 2nd July 2005

thru wap : wap.thaiticketmaster.com
From Wednesday 15th June 2005 to
Saturday 2nd July 2005
Prices

250 Baht (with 1 drink of Johnnie Red)

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(...)

This year see;s the label celebrate it's 5 th anniversary. Mark's long history in music includes time spent recording for Wall of Sound and RS Records and during his time he has worked with remixed for Arthur Baker, U.N.K.L.E, Boy George, Stephane K, Pepe Deluxe, and Beber and Tamra to name but a few.
His previous album releases have seen him receive press features and interviews from just about every dance music magazine and a few others to boot. His blurring of the lines between house music, breaks and techno has made him a pioneer both as DH and producer and gained him a respect from a wide ranging music fanbase.


Discography

Meat Katie's Original works (Artist – Title – Label)

Meat Katie – The Bull – Kingsize Records
Meat Katie – The Murder E.P – Kingsize Records
Meat Katie – The Big Meat Elite – Kingsize Records
Meat Katie – Off the Bone LP – Kingsize Records
Meat Katie – Can't Hear Ya – Kingsize Records
Meat Katie – Everone is gay – Kingsize Records
Meat Katie – Strange Fruit – Kingsize Records
Meat Katie – Bring Yourself – Kingsize Records
Meat Katie – Rotten Dot Com – Kingsize Records
Meat Katie – Long to Belong LP – Kingsize Records
Meat Katie – Work your/Dirty south – Kingsize Records
Meat Katie – Missing some/Steppin – Kingsize Records
Meat Katie – Next Life – Kingsize Records
Meat Katie – Next Life Remixes – Kingsize Records
Meat Katie – Future Abuse – Kingsize Records
Meat Katie – Cumshot/Mix album sampler – Kingsize Records
Meat Katie – K-Hole – Sawrecordings
Meat Katie – All I need – Mantra Breaks


Collaborations

Meat Katie and Dylan Rhymes – Turn it up/St James – Blue Black
Meat Katie and Dylan Rhymes – Sex Change/Listen – Blue Black
Meat Katie and Rennie Pilgrem – Rubba/Dub – Whole 9 Yards
Meat Katie and Aurthur Baker – Shys the Limit – Perfecto
Meat Katie and Dylan Rhymes – The Remix's – Blue Blue
Meat Katie and Rennie Pilgrem – Atmosphere – TCR
Meat Katie and Dylan Rhymes – Moist pt1 – Whole 9 Yards
Meat Katie and Dylan Rhymes – Moist pt2 – Blue Black
Meat Katie and Elite force – Toba – Kingsize Records
Meat Katie and Lee coombs – The Hum – Kingsize Records
Meat Katie and B.L.I.M – Coming to – TCR
Meat Katie and Lee coombs – Two men ona trip – Finger lickin
Meat Katie and Dark Globe – Future absuse (rework) – Bedrocks breaks
Meat Katie and Elite Force – Ju Ju – TCR
Meat Katie and Chistian j – Cusp – Bedrock breaks
Meat Katie and Chistian j – Move me – EQ/Stomp
Meat Katie and Chistian j – Turn me out – Kingsize Records
Meat Katie and Lee coombs – Import – Bedrock breaks
Maat Katie and Justin drake – Poke – Thrust
Meat Katie and Elite force feat roland clark – The answer – Kingsize Records

Remix work

Pecadilloes – Wanting Song – A M
Elite Force – Cool like the man – Fused and Bruised
Hysteric Ego – Time to Get ba ck – F1-11/Warners US
Dark Globe – Bug on the Lens – Whole 9 Yards
P Method – Technical Manoeuvre – Kingsize Records
Rennie Pilgrem – Soundbwoy Kingpin – TCR
Sir Drew – Let's Get some girls – Kingsize Records
Klark Nauman – Jellyshots – Blue Black
Takkyu Ishino – Feeling – Exceptional
Pepe Deluxe – Before you leave – Incredible
Altitude – Nightstalke r – UK Bonzai
Koma and Bones – Morpheus – TCR
Boy George – See Through – Virgin
Ben Chapman – Whiskey Boots – Kontroband
Ben Shore – So Strong – Fire
Nuddles – Locked on – Bedrock
Electroacoustic – Libertease – Outer
Stephanie K – Numb – Saw recordings
Hatrix and Galihad – One day – Ministry of sound
Forme – Percussive thinking – Marine Parade
Santiago – Impedence – Stompa Phunk
Appollo kids – Counting off – Fat records
U.N.K.L.E – An eye for an eye – Island
Rick o'neil – come into my house – RPO Traxx
U.N.K.L.E – in a state – Island
Will saul – Malfunction – Simple
Santos – Too fast – Mantra Vibes
Distrinct – Single sex – Kingsize records
Magnolia – Its all so vein – Data
Vigi and Nectarious – GURU – Streetwise
D.Ramirez – Venus and Mars – Lot49
Deep Dish – Flashdance – Positiva
Dylan Rhymes – Salty – Kingsize Records
Peace Division – Its here its now – Low pressings

Compilation

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