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BANGKOK OPERA ANNOUNCES
FIRST
FULL OPERA SEASON IN SOUTHEAST ASIA
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Five years ago,
the Bangkok Opera was founded with the vision of establishing
a credible opera season in Bangkok by the year 2006.
That plan is now about to come to fruition with the
announcement of the first full-scale opera season in
the Southeast Asian region.
From September 2005-June 2006, the Bangkok Opera will
present a varied feast of five masterworks, including
two new productions, two revivals, and one international
co-production. This historic season will include the
first Wagner production in the region, a three-country
celebration of the International Mozart Year, the triumphant
return of Somtow Sucharitkul’s Mae Naak, and the Thailand
debut of Nancy Yuen’s world-famous portrayal of the title
role in
Madama Butterfly.
Spearheading the season on September 3 will be a
revival of Somtow’s Mae Naak, an opera which
prompted Metropolitan Opera conductor Frederic
Chaslin to say “Somtow could be an important
landmark in today’s music.” This setting of Thailand’s
most famous ghost story, to an exotic blend of
expressionist “horror-movie” music and sounds
derived from Thai folk music, was designed by
National Artist Sumet Jumsai and new direction
will be provided by Henry Akina, director of
the Hawaii Opera. Nancy Yuen will reprise the
role originally created for her, while charismatic
San Francisco Opera star Kyu Won Han will debut in
the role of Maak.
February 5 will see the beginning of a five-year project
to present Wagner’s entire Ring Cycle in Bangkok by
2010. Years in the making, Somtow’s interpretation
presents a new Asian perspective on the opera rooted
in Buddhist and Hindu mythology. Tickets for Das Rheingold
are already being snapped up by Wagner fans as far
away as the U.S., Germany, and Australia, and the Bangkok
Opera hopes to open a new era of opera tourism in Thailand
with
this production.
Last year, Nancy Yuen’s portrait was plastered all
over the London Underground when she starred in a high-grossing
production at the Albert Hall. After performing the
role of Butterfly in a dozen countries, she sold out
the Esplanade in Singapore, a first for the Singapore
Lyric Opera. The Bangkok Opera brings the SLO’s striking
production, originally directed by Ivan Heng, to the
Thailand Cultural Center on April 5 and 6.
The season will end with a celebration of the International
Year of Mozart, with a revival of Bangkok Opera’s richly
innovative Magic Flute and a new production of Mozart’s
politically incorrect sex comedy Cosi fan Tutte, directed
by Richard Harrell. Mozart lovers will have the chance
to continue their Mozart opera journey in Singapore,
where the SLO will perform The Marriage of Figaro at
the Esplanade Theater. An arrangement with Lyric Opera
Malaysia is currently being worked out in order to
include all three countries in the Mozart
Fest.
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TICKET INFORMATION |
| Venue
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Thai
Cultural Center |
| Location |
Ratchadapisek
Rd., Bangkok |
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Show Date |
1. Saturday 3rd September 2005, 20.00 hrs.
2. Sunday 4th September 2005, 20.00 hrs. |
Public Sale |
on website
: www.thaiticketmaster.com
From Tuesday 26th July 2005 to
Sunday 4th September 2005 |
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at Thaiticketmaster.com
outlets
From Tuesday 26th July 2005 to
Sunday 4th September 2005 |
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thru TTM
Call Center +66 (0) 2262 3456
From Tuesday 26th July 2005 to
Sunday 4th September 2005 |
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thru wap
: wap.thaiticketmaster.com
From Tuesday 26th July 2005 to
Sunday 4th September 2005 |
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Prices |
2,500 Baht
1,500 Baht
1,000 Baht
500 Baht |
| Seating
Plan |
Click Here |
| Note
: |
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THAITICKETMASTER.COM CONTACT |
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The cooperation between
Singapore, Malaysia, and Thailand's three flagship opera
companies is possible because their three directors got
together to create an ASEAN Opera League in order to share
information, productions, and expertise. Somtow Sucharitkul
has been elected permanent chair of this league. “When
all three opera companies start growing — and more regional
companies join us — we will end up with one of the most
vital and exciting opera communities in the world,” Somtow
says. “It is a thrill that we are now being discussed and
reviewed in the world's opera magazines. This is an area
where the Europeans have reached a decadent impasse and
every production of a classical opera seems to be re-set
in a Nazi concentration camp or otherwise be designed to
shock. Here in the east, we have a new viewpoint, and while
we may not be as technically adept as western opera companies,
or have as much money, the west has now recognized that
we have important things to say about this art form that
forms part of the whole world's shared cultural heritage.
And they are looking to Asia for a cultural rebirth.”
Further Information:
BANGKOK OPERA OFFICE
(02) 661-4688-9 (02) 261-2235 (Fax) |
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