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BANGKOK OPERA :
Opera Season in the Southeast Asia "Mae Naak"
- - - Opera Season in the Southeast Asia "Mae Naak" - - - / 3rd - 4th September 2005 / Thailand Cultural Center + + +

BANGKOK OPERA ANNOUNCES
FIRST FULL OPERA SEASON IN SOUTHEAST ASIA


Five years ago
, the Bangkok Opera was founded with the vision of establishing a credible opera season in Bangkok by the year 2006. That plan is now about to come to fruition with the announcement of the first full-scale opera season in the Southeast Asian region.

From September 2005-June 2006, the Bangkok Opera will present a varied feast of five masterworks, including two new productions, two revivals, and one international co-production. This historic season will include the first Wagner production in the region, a three-country celebration of the International Mozart Year, the triumphant return of Somtow Sucharitkul’s Mae Naak, and the Thailand debut of Nancy Yuen’s world-famous portrayal of the title role in
Madama Butterfly.

Spearheading the season on September 3 will be a revival of Somtow’s Mae Naak, an opera which prompted Metropolitan Opera conductor Frederic Chaslin to say “Somtow could be an important landmark in today’s music.” This setting of Thailand’s most famous ghost story, to an exotic blend of expressionist “horror-movie” music and sounds derived from Thai folk music, was designed by National Artist Sumet Jumsai and new direction will be provided by Henry Akina, director of the Hawaii Opera. Nancy Yuen will reprise the role originally created for her, while charismatic San Francisco Opera star Kyu Won Han will debut in the role of Maak.

February 5 will see the beginning of a five-year project to present Wagner’s entire Ring Cycle in Bangkok by 2010. Years in the making, Somtow’s interpretation presents a new Asian perspective on the opera rooted in Buddhist and Hindu mythology. Tickets for Das Rheingold are already being snapped up by Wagner fans as far away as the U.S., Germany, and Australia, and the Bangkok Opera hopes to open a new era of opera tourism in Thailand with
this production.

Last year, Nancy Yuen’s portrait was plastered all over the London Underground when she starred in a high-grossing production at the Albert Hall. After performing the role of Butterfly in a dozen countries, she sold out the Esplanade in Singapore, a first for the Singapore Lyric Opera. The Bangkok Opera brings the SLO’s striking production, originally directed by Ivan Heng, to the Thailand Cultural Center on April 5 and 6.

The season will end with a celebration of the International Year of Mozart, with a revival of Bangkok Opera’s richly innovative Magic Flute and a new production of Mozart’s politically incorrect sex comedy Cosi fan Tutte, directed by Richard Harrell. Mozart lovers will have the chance to continue their Mozart opera journey in Singapore, where the SLO will perform The Marriage of Figaro at the Esplanade Theater. An arrangement with Lyric Opera Malaysia is currently being worked out in order to include all three countries in the    Mozart Fest.


 

 

TICKET INFORMATION
Venue Thai Cultural Center
Location Ratchadapisek Rd., Bangkok
Show Date 1. Saturday 3rd September 2005, 20.00 hrs.
2. Sunday 4th September 2005, 20.00 hrs.
Public Sale
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From Tuesday 26th July 2005 to
Sunday 4th September 2005
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From Tuesday 26th July 2005 to
Sunday 4th September 2005
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From Tuesday 26th July 2005 to
Sunday 4th September 2005

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From Tuesday 26th July 2005 to
Sunday 4th September 2005
Prices

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1,500 Baht
1,000 Baht
500 Baht

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The cooperation between Singapore, Malaysia, and Thailand's three flagship opera companies is possible because their three directors got together to create an ASEAN Opera League in order to share information, productions, and expertise. Somtow Sucharitkul has been elected permanent chair of this league. “When all three opera companies start growing — and more regional companies join us — we will end up with one of the most vital and exciting opera communities in the world,” Somtow says. “It is a thrill that we are now being discussed and reviewed in the world's opera magazines. This is an area where the Europeans have reached a decadent impasse and every production of a classical opera seems to be re-set in a Nazi concentration camp or otherwise be designed to shock. Here in the east, we have a new viewpoint, and while we may not be as technically adept as western opera companies, or have as much money, the west has now recognized that we have important things to say about this art form that forms part of the whole world's shared cultural heritage. And they are looking to Asia for a cultural rebirth.”

Further Information:
BANGKOK OPERA OFFICE
(02) 661-4688-9 (02) 261-2235 (Fax)

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